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Logan Martin’s breakout script MEAT landed on the 2017 annual Black List, Hit List, debuted at number one on the Bloodlist and quickly sold to producer Jack Heller (Bone Tomahawk, Zombieland: Double Tap).
Writing Sample: MEAT by Logan Martin
Conor has written for Shudder’s Creepshow and placed in the Nicholl Fellowship with his scripts (Peter and the Wolves (quarterfinals) and The Tube (semifinals). His Launch Pad top 10 placement got him signed for the first time and he has been featured in sections of the annual Hit List, Young & Hungry List, Spec Book, and on Tracking Board’s “Best Writers of the Year” booklet. His recent action script was set up with a UK-based production company. Conor teaches skillca.mp’s screenwriting and novel writing bootcamps and provides 1-on-1 coaching in our writers labs.
Writing Sample: PETER AND THE WOLVES by Conor Kyle
Coverage Sample: MOVE THAT BODY – Coverage by Conor Kyle
Scarlet Chen is an award-winning Chinese-Canadian screenwriter, playwright, director, and stand-up comic. Her feature FORTUNE SPRINGS won first place in the 2018 UCLAx Screenplay Competition. After years of experience working as a PA, script supervisor and staff writer on high profile Chinese television series and Hollywood co-productions (KILL BILL, THE KITE RUNNER, LOOPER and IRON MAN 3 ), she sold her original Sci-Fi Thriller TV pilot DREAM RAIDER to HBO Asia. Scarlet’s one act play A COFFEE FOR YOU premiered at the 2025 Nanaimo Fringe Festival.
Nacho’s first industry gig was editing trailers for Cantonese martial arts movies and selling them at film markets around the world. At the Walt Disney Company he developed and licensed local co-productions in Latin America, including multiple Cannes, TIFF and Sundance World Cinema premieres. Nacho has been writing professional coverage and development notes for screenplays and novels for more than ten years, including judges notes for the Slamdance Screenplay Competition. He currently leads skillca.mp’s advanced screenwriting lab program and script analysis bootcamp.
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